Save file with explanations which file has been save. Legal Aspects of Gene Engineering. From Antiquity to the Present. Discussion of these strategies in the single social and artistic context is important in the first place for the prerequisites of the coming-to-be new artistic phenomenon to be recorded in full detail.
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The audience's simultaneous existence in these realities proposed by the artist must develop a certain metanoia in the audience, a "creative schizophrenia," i. Even if the wave of emotions has been carefully kept high over the last couple of decades by some PR-strategists, even if this play is dominated by marketing and the struggle for power, we can not deny the fact that the development we are witnessing is the very biotechnological revolution so much anticipated by society at the end of the 20th century. An odd mixture of Christianity and digital euphoria, some sort of computer-based piety brings together the heralds of the Wonderful New World. This is clearly seen in samples of biotechnological themes - the works of genome kitsch have literally swept over television, exhibitions and the press, assuming functions rejected by art long ago.
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However, it is not as strange as it seems, since Christian archetypes also constitute a mythological layer of the general cultural perception. After her conversation, the game closes. Considering that art at all times was concentrated on this and only this issue, we can hold that since a certain moment the dispute on the relation of "art" and "life" has been given a countdown, with this couple of words replaced by one notion - "Reality". Irina Grigorjan, Vsevolod Makeev. Science at the Beginning of the Third Millennium.